“Of Memory and Belonging” explores the idea of being a migrant torn between two places, either real or created by the mind, and the way I perceive my home, my altered memories of it, deceived by nostalgia.

In “Nightmares End” I use the mixed mediums of pinhole photography and colour film to reconstruct how it feels to be trapped in a nightmare while remaining hopeful that there is an end in sight.

In my latest work I am investigating the connection with the first place I called home, its geopolitics, and my grandmother Milda, who now lives there alone, keeping all the memories of generations of my family alive.

‘Patternicity, Poetry & Paraphernalia’ is an acceptance of a tendency that is “nothing but the anxiety driven, by-product of high task uncertainty” (John H Evans, 2006).

”Perception” combines two projects; ‘Inside Out’ and ‘Being Female’ to convey how we view women and women with chronic illnesses through brightly colour, performative photographs.

An heirloom, history, women. Great-grandparents were Andalusian so this was deeply rooted in their culture. This shawl has been through the displacement that unites all of the women through these portraits.

"Overlooked" points to gender inequality and social injustice issues, constructing its narrative through abstract and cinematic aesthetic.

I use my work as a means of advocacy and to showcase the potential of art practices for self-therapy for people suffering from mental health issues, including myself.

I create work that is focused on youth, diversity, identity, and freedom, with a desire to encourage everyone to engage in self love and body positivity, and to promote and demonstrate my solidarity with the Black, LGBTQI+, and Queer communities.

“Faitours Forge” is a portrayal of the relationship between identity and masquerade, the interplay between always-on connectivity and needy, intrusive technologies; a virtual space, represented by the mask, where the meta-self is forged.

This work layers moving image and portraits of candid moments with structuring thoughts to convey a phenomenology of subjective experience that perhaps others can relate to.

”Key Queer Communication” is an exploration of the visual language codes, and semiotics that queer peoples use in order to achieve libartion from the prejudices of our heteronormative society.

In ”You Will Be As Us”, I explore the changing nature of both my individual distinctiveness and family identity through ancestry, linking memories of yesterday, perceptions of today and an imagined tomorrow.

The importance of this project is not only to be able to create another world, but to dive into it. This series consists of a group of digitally manipulated images that take us beyond the realm of reality we are used to.

Looking at paradigms around societal and human cultural elements, existence, and impact on natural environments… our milieu, I hope to understand the vastness and scope of our world.

“Windows on the Wall” looks at metaphorical symbolism of widows and their connection within ourselves.

“Nebula” is a visual exploration of the daunting, relatable nature of the constant passing of time; the growth of thoughts about achieving one's dreams, nurturing your legacy, shifting tides, and facing mortality.

“Shifting Spaces” is a visual depiction of dreams and sensations, evoked by recalling the memories of childhood, family, the home, and its belongings.

Our day-to-day life numbs us down and we forget to remember; then get lost in time. I use objects as mementos of time, place and space. Buildings rise, graves expand, flowers bloom. How often do you experience time, or do you know how to?